![]() ![]() There were a lot of times, however, when that wouldn’t be the result. ![]() ![]() Waves’ previous offerings – the C4 Multiband and the Linear Multiband – both offered you a seemingly simple way to calm offending frequencies while leaving the other parts of your signal in tact. For the uninitiated, a traditional compressor is used to reduce the dynamic range of a signal, a multiband compressor can be used to reduce the dynamics of a specific range of frequency within that signal. This is due to the nature of what you’re doing: compressing the total frequency range at multiple crossover points. The risk in using a multiband compressor lies in the fact that you can almost instantly suck the life out of a signal. I’ve always had mixed feelings about using multiband compression it kind of feels like I’m cheating! In my recent experience with the C6, however, I’ve found there are certain times when using a multiband compressor is the best way to sculpt a signal into submission. The C6 Multiband Compressor from Waves continues a plug-in legacy comparable to the greatest of hardware manufacturers, taking simple ideas and continuing to rewrite the book on what can be done “in the box.” Yet they have always kept their interfaces clean and simple to understand, even while packing in tons of features. WILLIAMSBURG, BROOKLYN: One of the first companies to convince scores of engineers that digital could be the future, Waves continues to innovate and push the limits of audio manipulation. Share by Facebook Tweet Share by Linkedin ![]()
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